ALEXANDER LEE

From grand orchestral pieces with custom word-builded choirs to electronic syncopated beats, my composition fits anything from commercials to game trailers.

I am a specialist in the field of game technical audio, working on the composition and implementation of background music for VR and 3D games. The main tools I use are Unity and Unreal engine (C++ coding), both of which provide extensive control over sound such as spatialization and binaural applications, and also adaptive effects such as reverb and filters.

My experience expands to being an studio engineer, recording live music for artists with an Audient ASP8024 sound desk. The first example is a sped up remix of a indiepop song “End Credits”. This sped-up remix fuses the duet of vocalists with an electrifying EDM backdrop. Massive NI wavetable synth was used to create the saw pads and other synth tones.

Second example is a Japanese rock cover of “Mighty Long Fall” which infuses raw, emotive vocals with a gritty, grunge-inspired guitar.  I utilize a Boss GX-100 guitar effects processor for the instrumental, and then a vocal chain in Pro tools for vocals, including plugins such as Melodyne for precise pitch correction, MeldaProduction Saturator for rich harmonics, and Raum reverb for atmospheric depth. My role in mixing and mastering achieves the fusion of J-pop flair with the raw intensity of grunge.